When you see this image posted at the top of this post, you might imagine that I've lost it, given the fact that I don't usually snap photos of my clothing and use them as fodder for my blog. But here is what happened.
I received this Cynthia Vincent dress in the mail a few days ago. I had ordered it, but had forgotten about it. On the day the package arrived, I recall hearing my doorbell and hiding in my bedroom because I don't like to answer phones or doorbells. I am overly suspicious of anyone at my door. Later, of course, I discovered the package waiting for me, and felt quite silly. Since that day, the dress has been hanging on the outside of my closet for two reasons: first, I am taking time to decide how I feel about it; second, I am too lazy to find space for it in my already overly crowded closet.
And, I must admit, I like the dress. My mood is instantly better when I see it hanging there. It has become a bizarre source of pleasure and distraction.
The problem--and, my problem in general--is that things often change shape in the dark, which is exactly what happened around 4:30 this morning, when I awoke to a night terror of an altogether different sort.
I opened my eyes and saw a man's long pale face, the space between the hanger and the bodice of the dress. I saw his long arms dangling at his side. I saw his long dark coat, tattered and shredded at the bottom--the place where my dress became scrolls of embroidery. And I stared at him while he stared back at me, the hand my imagination had blessed him with slowly stretching toward me. I sat there, immovable, stationary with the knowledge that this was finally it.
And I began to scream. And scream. And scream. This time, the terror was real, I said to myself as I screamed. This time, it is no hallucination. My screams did not cease until I heard a woman's voice, outside of my window, frantically asking me--or whoever she imagined was screaming--if I was okay. I was stunned into silence for a split second. I looked toward the window, and then back toward my closet door, watching as the ghoulish man's image began to dissipate into the form of a silk dress hanging on my closet door.
"Yes," I said, weakly, to whomever had addressed me through my open window. I couldn't help but sob after that. And this morning, my throat still feels the screams.
I love to say--and do quite often--that darkness illuminates more brilliantly than light. Darkness reveals to us the things that we cannot see when our vision is obscured by light. And so I can't help but wonder what, if anything, was revealed to me, as I witnessed my vanity become my terror. Perhpas there is a metaphor somewhere in here--something about how often we create our own terrors. We organize and arrange them, believing we can control them but never realizing that they control us.
I received this Cynthia Vincent dress in the mail a few days ago. I had ordered it, but had forgotten about it. On the day the package arrived, I recall hearing my doorbell and hiding in my bedroom because I don't like to answer phones or doorbells. I am overly suspicious of anyone at my door. Later, of course, I discovered the package waiting for me, and felt quite silly. Since that day, the dress has been hanging on the outside of my closet for two reasons: first, I am taking time to decide how I feel about it; second, I am too lazy to find space for it in my already overly crowded closet.
And, I must admit, I like the dress. My mood is instantly better when I see it hanging there. It has become a bizarre source of pleasure and distraction.
The problem--and, my problem in general--is that things often change shape in the dark, which is exactly what happened around 4:30 this morning, when I awoke to a night terror of an altogether different sort.
I opened my eyes and saw a man's long pale face, the space between the hanger and the bodice of the dress. I saw his long arms dangling at his side. I saw his long dark coat, tattered and shredded at the bottom--the place where my dress became scrolls of embroidery. And I stared at him while he stared back at me, the hand my imagination had blessed him with slowly stretching toward me. I sat there, immovable, stationary with the knowledge that this was finally it.
And I began to scream. And scream. And scream. This time, the terror was real, I said to myself as I screamed. This time, it is no hallucination. My screams did not cease until I heard a woman's voice, outside of my window, frantically asking me--or whoever she imagined was screaming--if I was okay. I was stunned into silence for a split second. I looked toward the window, and then back toward my closet door, watching as the ghoulish man's image began to dissipate into the form of a silk dress hanging on my closet door.
"Yes," I said, weakly, to whomever had addressed me through my open window. I couldn't help but sob after that. And this morning, my throat still feels the screams.
I love to say--and do quite often--that darkness illuminates more brilliantly than light. Darkness reveals to us the things that we cannot see when our vision is obscured by light. And so I can't help but wonder what, if anything, was revealed to me, as I witnessed my vanity become my terror. Perhpas there is a metaphor somewhere in here--something about how often we create our own terrors. We organize and arrange them, believing we can control them but never realizing that they control us.